In the fourth movement of my orchestral piece TopoAkustiko, Symphony for 64 strings_
In the first three movements (seating arrangements) there are precise geometrical and other easily discernible orders of the placement of each category of strings (violin, viola, cello, double bass). In the last seating arrangement (fourth movement), the order is chaotic_,
the way the instruments, one after another, start to play, it is the way we write the following words (the fourth movement, seating arrangement, is made up only by these words):
NIEDER MIT DER GEWALT
ES MÖGE IN DER WELT LIEBE UND FRIEDEN HERRSCHEN
*
Regarding Prof. Karkoschka’s writing of 17.12.1999 (‘Gutachtliche…’) about my new notation (Topographical Notation)
for publication in Beijing_
see its first paragraph: ‘der chinesische Staatsverlag’:
He sent me the full text of his writing about TopoAkustiko for the above publication to be approved by me.
I was surprised that he didn’t mention ‘Nieder mit der Gewalt…’. Instead He pointed to the CROSS in the above diagram_ tacitly meaning the message of the piece is the CHRISTIAN CROSS_ even though I mentioned it’s a crooked cross in the diagram… I asked to remove my part from his publication.
A Christian believer sees trillions of crossroads in the world as Christian Crosses…
See in this connection (Christianity) the post ‘Christianisierung in drei Stufen’, and ‘Kanzlerin Merkels Propaganda’.
